WEIRD MYSTERIES OF CREATIVE GIANTS
Creative giants in the arts often lead very unusual lives.
WHY WAS TOULOUSE-LAUTREC SO SHORT?
Henri de Toulouse-Lautrec (1864-1901) was one of the most gifted painters
of all time. He is also perhaps the most celebrated dwarf of all time.
In 1962, two French doctors described the type of inherited skeletal
abnormality that Lautrec probably suffered from: Pycnodysostosis. The
"probably" had to stay for years since the Lautrec family
would not allow his remains to be exhumed in order to prove the diagnosis
beyond a doubt.
In 1995, Dr. Bruce Gelb and colleagues from the Mount Sinai School
of Medicine in New York announced they had discovered the gene responsible
for Pycnodysostosis. They also claimed to have gathered "near proof"
that Lautrec did indeed suffer from this condition. They published their
article in NATURE GENETICS where they wrote, "There's always a
hazard to making a posthumous diagnosis. But of all the skeletal abnormalities
we know, this one seems most likely by far to be the right one."
Another Toulouse-Lautrec legend is that, although he was short of stature,
he had an unusually large penis. However, Julia B. Frey, author of TOULOUSE-LAUTREC,
A LIFE (Viking, 1994) points out that a photo of the artist in the nude
indicates otherwise. In the photo's caption she writes, "Note short
legs, genitalia and cranium appear normal."
WHAT MADE BEETHOVEN DEAF?
Ludwig von Beethoven (1770-1827) is regarded as perhaps the greatest
of musical geniuses. He composed nine symphonies and was planning the
tenth while on his deathbed. His many great musical accomplishments
are even more astounding when one considers that he suffered from progressive
deafness throughout his early life. He became fully deaf at age 29.
Astounding too is the fact that after becoming fully deaf, Beethoven's
compositions became even more free and imaginative.
Medical historians believe that Beethoven suffered from Paget's disease.
Writing in the JOURNAL OF BONE MINERAL RESEARCH in 1999, Dr. E. Monsell
and colleagues from the Henry Ford Sciences Center in Detroit point
out that characteristic of Paget's disease is a "loss of bone mineral
density in the cochlear capsule [which] is associated with both a high-tone
hearing loss and a low-tone air-borne gap".
According to Dr. P.D. Shearer of the St. Jude Hospital in Memphis,
Tennessee, writing in the AMERICAN JOURNAL OF OTOLOGY in 1990, Beethoven's
large head and broad brow are very characteristic of Paget's disease.
As a result of his disease, abnormal bone growth crushed his auditory
nerves causing his deafness.
WHY DID VAN GOGH CUT OFF HIS EAR?
Vincent Van Gogh (1853-1890) is now regarded as a master among masters
of the Impressionistic School. Although his paintings sell for millions
today, Van Gogh sold only one painting in his entire life. Purchased
just four months before he took his own life, Van Gogh parted with "The
Red Vineyard" for a mere 400 francs.
From childhood, Van Gogh was plauged by mental illness. Chiefly he
suffered from Bipolar Disorder, formerly known as Manic-Depression.
His sad and tragic life was beset by a series of psychological breakdowns
with pauses in-between. During such pauses, Van Gogh painted---frantically
and unceasingly---until exhaustion forced him to stop.
As Bonnie Butterfield writes in THE TROUBLED LIFE OF VINCENT VAN GOGH
(1998), Van Gogh cut off his ear after a particularly violent argument
with fellow artist Paul Gauguin. On Christmas Eve 1888, Van Gogh first
unsuccessfully attacked Gauguin with a razor and then mutilated himself.
He wrapped his ear in paper and sent it to a prostitute who fainted
upon seeing it.
Self-mutilation can be a symptom of Bipolar Disorder. Furthermore,
psychologists studying Van Gogh's life have found a pattern in his breakdowns.
Each was preceded by a perceived threat to a deep attachment he felt
for a loved one. The first of these occurred shortly before his beloved
younger brother Theo announced his engagement. Van Gogh thought he was
losing Theo to someone else forever. The ear-severing incident took
place after a bitter argument with Gaugin. Van Gogh may have been homosexually
attracted to Gaugin. Van Gogh had earlier described their friendship
as "electric".
WHY DID ERNEST HEMINGWAY ALWAYS ACT "MACHO"?
When it comes to image, there is no more masculine writer than Ernest
Hemingway (1899-1961). He wrote almost exclusively about prize-fighters,
matadors, soldiers, big-game hunters---all super masculine types. In
real life, Hemingway would rather wrestle another man, than talk about
his own work.
Psychologists call this Hemingway's case "reaction-formation".
In order to deny an inner reality about one's self, one unconsciously
behaves in exclusively the opposite manner from that which the inner
reality would normally dictate. For Hemingway, in an effort to deny
his strong feminine side, he unconsciously went overboard in the opposite
way---always behaving and writing in a super masculine way.
This is a common pattern among men. With respect to their own sense
of masculinity, the most insecure men have to prove it constantly. The
most secure men never have to prove it past adolescence---they already
know what they are---they've long since past the test.
Hemingway's life was a constant testing of his own shaky sense of manhood.
This is no surprise. From infancy through his teens, Hemingway was raised
as a girl. His mother wanted a girl and was disappointed when Ernest
was born. She tried to reverse it. She called him "Ernestine",
dressed him in girl's clothes well into his teens, and even tried to
make him over into an identical twin of his elder sister, Marcelline.
It didn't help that Hemingway had a tiny penis. As fellow author Sydney
Franklin said, "Hemingway's big problem all his life, I've always
thought, was he was always worried about his Picha [penis] . . . the
size of a 30/30 shell."
A 30/30 shell is about the size of a woman's little finger.
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